Royer R-10 Ribbon microphone. Matched pair.

The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning.

Royer ribbon mics are legendary on electric guitar and the R-10 shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favorite EQ unit or plugin.

The R-10 is excellent on brass and can handle close-miked trumpets, trombones, and other brass instruments. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments.

Close up of mount
Drums are full-bodied with realistic (not over-hyped) transients response, and the R-10’s figure-8 pattern conveys superb ambience and depth when used for room miking applications. A compressed R-10 in front of the kit sounds huge and punchy.

R-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos, and other stringed instruments are warmth and natural and fit into mixes easily. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results.

Vocals record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialing in completely different sounds with liberal use of EQ. Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!).

Acoustic Operating Principle: Electrodynamic pressure gradient
Polar Pattern: Figure-8
Generating Element: 2.5-micron aluminum ribbon
Magnets: Rare Earth Neodymium (Grade 52)
Frequency Response: 30Hz-15,000Hz +/- 3dB
Sensitivity: -54dBv (re. 1v/pa)
Output Impedance: 100 Ohms
Maximum SPL: 135dB @ 50 Hz, 160dB @ 1kHz
Recommended Load Impedance: 700 Ohms (or greater)
Output Connector: Male XLR 3-pin (Pin 2 Hot)
Dimensions: Length including mounting base: 5 7/8 inches (149 mm) Width 1 3/8 inches (35 mm)
Weight: 13 oz (368 grams)
Shipping Weight: Single: 2.5 lbs, Matched Pair: 4 lbs
Accessories: Microphone Holder, Mic Sock, Carrying Case
Microphone: Adjustable Swivel Mount (Black)
Polar pattern: Figure eight

US and EU parcels ship via UPS, ETA 1-7 working days from pickup day zero. That also applies to most locations worldwide.

All shipments are fully insured.

Bigger shipments requiring pallets or custom made crates ship to US, CA, JP, CN, AU and other outside of EU locations via DHL Air Freight, ETA is normally approx. 7-14 working days from pickup day zero.

Big shipments inside EU ship via different freight companies, recently mostly via ACE Logistics. Freight forwarders can use different courier companies for deliveries to final destinations.

Palletising and crating time can vary depending on the size of the shipment and packaging queue. We pack all our shipments with great care.

You are most welcome to pick your order up yourself from our Retrosonic Pro Audio showroom, studio and warehouse in Tallinn, Estonia.

We ship worldwide – contact us for a personal shipping quote or any other questions.

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